"Yellow Calla Lily", new black matt, frame
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzfH1h-vhEW3QClnXbIG6YePMzCajmZT7R8Jn-mglTFICUR0mdD7ftTVfdeQduRHFdd6n6qIiGyQd02D2e2F8efaLwHiJsA_Fn5YOk_khgf2RW5XOTvT6qq6n4YBJBIYB_g9h-rCzv1OOq/s320/IMG_0131.JPG)
In between teaching and working on my class demo from Tuesday night (I will be posting images later) I have been preparing work for upcoming art association shows. Now that my booth artwork has been determined I know what I can submit to October shows. I always try to recycle the frames I own and I had to get a larger matt to fit this painting of the yellow calla lily into my 32 x 26 frame. I ended up doing something I NEVER do - I put a black matt with a yellow edge in this frame! The unspoken (and sometimes spoken) rule with watercolor framing is that the matt should always be a shade of white so that it does not distract from the painting. Many watercolor "societies" will not accept work to their shows unless the work is in a white matt.
I feel the black matt helps to focus on the painting and is actually less distracting than a traditional white matt. The added outline of yellow in the inside of the matt opening felt like a perfect fit to me. If my painting is not accepted to the show I am submitting it to I am going to hope it had nothing to do with the matt but rather was based on the actual painting.
Robin, I really like the black frame, I think it complements the painting.
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