"Silhouette", 12" x 12", encaustic painting
I wanted to use a photograph I had taken in San Gimignano for an encaustic image transfer. I also knew I had a special custom panel and frame I had purchased from Rodney Thompson last year at the National Encaustic Conference. The cradled wood board came wired and with a deep, black wood frame.
My biggest concern was finding a composition that would work well in 12" x 12". I had to crop my photo and I actually like it better now. The most important element to me was the texture of the different bricks and by using the encaustic medium I was able to create literal 3-dimensionality.
It's always challenging transferring the image without creating holes or rips in the paper but as you can see below, once the heat fuses the paper onto the board, it takes on a translucent appearance.
This a great encaustic. I love Italy. I was there in 1979 but I'm sure it has changed a lot. We weren't allowed to wear shorts or pants on the streets back then!
ReplyDeleteThanks for sharing your encaustic technique. I keep saying I am going to try it with one of my Citra Solv images. You are such an inspiration!
I think using one of your Citra Solv images with encaustic technique would be awesome, Eva.
ReplyDeleteA stunning work, Robin! And that pear is just so delightful and so fun!
ReplyDeleteThis looks great; I like it cropped.
ReplyDelete