Art Business

I decided to use my most recent encaustic painting in the advertisement I placed in the Paradise City Fall show magazine and guide. I was concerned that the painting is small although decided that makes these works even more appealing. My booth will feature all landscape paintings, both watercolor and encaustic mediums, large and small. Hopefully the small works will be very salable because of the lower price point. I have sold an assortment of pieces this summer in both the Copley Society small works show as well as at the Gallery Della-Piana show.

The week following the Paradise City show looks like I will be having a solo show in a new, local art gallery and studio. I will also be offering an encaustic workshop in their studio space however details are still being tweaked. I should have more to share in the next few days.

Saturday I am hosting a watercolor workshop here at home and I think I will start with a sky demo, inspired by the mind-blowing storms I have witnessed all afternoon and continuing to happen at this very moment.

Storm rolling in this afternoon over the ocean...

there was a lull in the stormy weather, and I was able to take a long walk before the next batch of storms arrived.

Summer Inspiration

It felt good to get lost in the process this week. Making linear marks etched into wax felt more like sculpting at times and maybe it was.

"Goldenrod Meadow", 6" x 6" 

"Black Eyed Susans", 5" x 7"

I also made time to frame the new 6" x 6" landscapes by recycling floater frames I already had.

And I made duplicate, smaller versions of the Lupine Sunset and Purple Loosestrife.

Also framed the Pond in Vermont and Koi Pond.

All in all, it was a creative, busy, productive encaustic art week as I am working on having plenty of new things for the last Paradise City show I am participating in this October. Next, I will be gearing up and planning for the watercolor workshop I am teaching July 21 in my home studio.

Koi Pond

I have been looking forward to painting an encaustic version of the Koi pond I saw when I was in Chicago 2 weeks ago. It was challenging getting the small lily details to scale; seems my brushes have been over-waxed and I will need to replace them soon. I also have to wear those drug store magnifying glasses in order to see clearly when I work this small. I am going to ask my eye doctor about prescription bifocals stronger than the ones I already have. Getting older definitely is not for wimps.

The other small work I managed to complete was inspired by the pond behind the Henry Farm Inn, Chester, Vermont. Chester is where I first met Jeanne Carbonetti, a watercolor artist who introduced me to the world of painting without rules!

Years ago I painted a watercolor version of the pond and sold it the first time it was in a show.

Purple Loosestrife

"Purple loosestrife is a very hardy perennial which can rapidly degrade wetlands, diminishing their value for wildlife habitat".

I was intrigued with the angle and composition of the purple flowers surrounding this local pond and thought it would make for an interesting landscape painting. I decided to do some research to learn more about the flowers and quickly realized it is like an invasive weed, the flower is called Purple Loosestrife.

I took this photo several years ago and used it for a demo painting during one of the workshops I was teaching. I was not pleased with the outcome of the painting and put it away, hidden in my paper file.

Over the weekend I pulled out a variety of photographs to use for small encaustic paintings and I decided to re-use this same photo hoping I would be happier with the outcome. I also decided to re-work the watercolor I had done, using black ink to exaggerate the design of the composition that I found so interesting when I first photographed the pond.

"Ware Pond", 18" x 24" watercolor and ink

Below is my encaustic version of the same pond. Now I actually like my re-worked watercolor better than the new encaustic version. Maybe in a few years I will feel like reworking the encaustic (but I doubt it!)

"Purple Loosestrife", 6" x 6" encaustic on panel

Lupines

I started several small encaustic paintings this morning, inspired by wildflowers this time of year, but had to stop mid afternoon in order to attend a reception for the local art association. I did manage to finish one piece before I went out.

"Lupine Sunset", 6" x 6" encaustic

I will have more new work to post this week. Recent motivation has come from taking a short break, enjoying the outdoors, and feeling refreshed. 

Chicago

It's been educational to say the least, re-aquainting myself with the city and studio space, teaching and exhibiting opportunities, learning about apartment availability and costs, all in preparation for my move back to Chicago next year. At this point there is little else to do until March 2013 when I can actually sign a lease. The Amdur Art festivals seem to be the closest show opportunity comparable to the Paradise City Fine Art festival, something I have been doing for the past 6 years. And visiting the Evanston Art Center was just the tip of the ice berg in terms of teaching opportunities.

There will be so much to do, rebuilding a life in a new part of the country. Staying focused on one step at a time without freaking out has been my immediate priority! 

Yesterday I walked through Lincoln Park and despite high humidity and heat it felt great to be back home. I took pictures along the way, the organic farmers market held every Saturday morning was a highlight.

 Yoga class (above) being held next to the farmers market.

Yum.

Color!

Past the farmers market heading north is the zoo and then my favorite, The Conservatory.

Yes, I do love the lily and koi pond

Orchids

I know what I will be painting when I arrive home this week. I am looking forward to getting lost in the creative process, my happiest place to be.

When a negative becomes a positive

It was an artful weekend, both days I was able to paint without interruption (probably because both of my daughters left early Saturday morning for their summer jobs and I will be an empty nester for the next 2 months). Sunday morning I went to IKEA to purchase more of the shadowbox frames needed to display the small encaustic paintings only to discover they are no longer making the 6" x 6" size. Because these paintings are so small it is important they be presented in a way that enhances the work. I ended up purchasing several of the larger 9" x 9" shadowboxes, the only size they are carrying now.

The good news is I actually think the paintings look better matted and with more empty white space vs. floated on a white background without a mat. What do you think?

Large and small frame

Both paintings in the larger 9" x 9" frame

New Poppy paintings 

I have quenched my artistic thirst for painting flowers, at least for the time being.

Flower Power

My summer project(s) officially started today. I am going to try to paint 30 new encaustic paintings, all small works, by August 1. The past week was surprisingly successful as I had multiple sales on Etsy as well as in the Copley Society small works summer show. 

These paintings are 2.5" x 3.5", then floated and mounted on 6" x 6" watercolor paper, with my stamp signature on the bottom left. I think the addition of the shadowbox frame enhances the presentation and they are priced under $100 each, a key selling point.

I also have 5 small works being featured in Gallery Della-Piana, opening next week. The gallery owner was more interested in my winter scenes rather than summer as she said most artists neglect to find the beauty in a winter garden. 

As usual, I spent most of what I made in sales last week reordering supplies to allow me to continue working. Getting ahead is a never ending challenge... starving artist comes to mind.

Naming Shells

By doing a google search I was able to learn about proper shell names based on their size, color, and shape. Who knew there were specific names for just about every shell in the ocean!

Top Shell, 18" x 22"

Cone Shell, 18" x 22"

After living with the turquoise background for a day I decided on a darker layer of color to try to create even more contrast. I am sure for each person that prefers turquoise another would prefer indigo. My mood of the day took over and made the change. I also cut off 4 inches of background (what was once 22" is now 18") because it felt like too much empty space. These paintings were quick, fun studies but now it's time for me to change artistic direction although I still don't know what's next.

Warm Waters

It's been a while since my last blog post, Springtime usually means more show opportunities and now that I have received notifications from all of my applications I feel like I can assess where I am at and how I am feeling about my art, my self, and my future.

Bottom line, I am going to embrace being a big fish in a little sea - my show acceptances have all been closer to home in local venues rather than national shows and it always seems the rejections are a bigger deal than the acceptances. I need to work on changing my attitude.

I am participating in a summer show at Gallery Della-Piana, a new venue for me in the town of Wenham, MA. I also received word that one of my encaustic paintings received Best of Show in the mixed media exhibit at the Marblehead Festival of Arts. I was included in the Marblehead Art Association New England Open Show in April, and participated in the local Swampscott Art Association Spring Show. For me, my accomplishments never feel as big as the rejections. There were two spring shows I did not get accepted into. And I find myself asking, is the cup half full or half empty?
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Vacations usually refresh me and until this weekend I did not feel inspired to paint how it felt to snorkel in the magnificent coral reefs of Jamaica. I may continue exploring this combination of sumi-e ink and watercolor but mostly it was fun to finally play with my spray bottle and paints.

Coral Reef, 24" x 18"

Black Coral, 8" x 20"